Tuesday, November 1, 2011

Bower SLY1428C Ultra Wide-Angle 14mm f/2.8 Fisheye Lens for Canon

Review Bower SLY1428C Ultra Wide-Angle 14mm f/2.8 Fisheye Lens for Canon


Bower SLY1428C Ultra Wide-Angle 14mm f/2.8 Fisheye Lens for Canon Feature


  • Super-wide 14mm focal length
  • High index, low-dispersion multi-coated optical glass to reduce flare
  • Superior outer edge image quality with low distortion and chromatic aberration
  • Minimum focusing distance of 11 inches
  • Impressive 90°+ field of view

Bower SLY1428C Ultra Wide-Angle 14mm f/2.8 Fisheye Lens for Canon Overview


The ultra wide-angle 14mm f/2.8 lens for Nikon is a fixed fisheye lens that offers an impressive 92.5° field of view for stunningly vast image capture. Its advanced aspherical, multi-coated optical glass reduces flare and minimizes outer-edge distortion for optimal image quality. Includes attached tulip lens hood and pouch.

Available at Amazon

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Monday, October 31, 2011

Tamron AF 10-24mm f/3.5-4.5 SP Di II LD Aspherical (IF) Lens for Canon Digital SLR Cameras

Review Tamron AF 10-24mm f/3.5-4.5 SP Di II LD Aspherical (IF) Lens for Canon Digital SLR Cameras


Tamron AF 10-24mm f/3.5-4.5 SP Di II LD Aspherical (IF) Lens for Canon Digital SLR Cameras Feature


  • The world's first 2.4X zoom with an equivalent 16-37mm (when converted to full frame)
  • The best magnification ratio in this class of 1:51
  • Extremely compact and light
  • Flower-shaped Lens Hood and Case Included
  • 77mm Filter size

Tamron AF 10-24mm f/3.5-4.5 SP Di II LD Aspherical (IF) Lens for Canon Digital SLR Cameras Overview


The ultimate extended-range, ultra-wide-angle zoom lens! Wider and longer than others in its class, this compact, lightweight, high-performance lens for DSLRs with APS-C size sensors provides 35mm equivalent coverage from 16mm ultra-wide to 37mm semiwide, a remarkable 2.4X zoom ratio. With a maximum coverage of over 108°, this state-of-the-art classic is the perfect solution for expanding your visual horizons.

Tamron SP AF60mm F/2 Di II
Zoom in close at the 1:1 macro view

This ultra wide-angle zoom lens for digital SLR cameras, with the first-ever focal length range of 10-24mm-the 35mm equivalent of 16mm ultra wide-angle to 37mm semi-wide-angle-is a perfect tool for creating dramatic landscape, cityscape,a nd seascape imagery. At the ultra wide-angle setting, you'll be able to capture vistas beyond what the eye can see. At the semi-wide-angle setting, you'll capture scenes with angles of view almost as spectacular.

SP AF10-24mm F/3.5-4.5 Di II Features

Di II
Tamron SP AF60mm F/2 Di II
Portrait macro shot
Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm.

Super Performance (SP) for Discriminating Shooters
Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.

Internal Focus (IF)
Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron's Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.

Tamron SP AF60mm F/2 Di II
Low Dispersion (LD) Glass for Greater Lens Sharpness
Low Dispersion (LD)
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)

Aspherical Elements (ASL) Provide the Ultimate in Image Quality and Compactness)
Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.

Tamron AF 18-250 AASL Image 2
Achieve the ultimate in image quality with Asperical (ASL) lenses

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Sunday, October 30, 2011

Vivitar 500mm f/6.3 Series 1 Multi-Coated Mirror Lens for Nikon D40, D60, D90, D300, D300s, D3, D3x, D7000, D3000, D3100, D3s & D5000 Digital SLR Cameras

Review Vivitar 500mm f/6.3 Series 1 Multi-Coated Mirror Lens for Nikon D40, D60, D90, D300, D300s, D3, D3x, D7000, D3000, D3100, D3s & D5000 Digital SLR Cameras


Vivitar 500mm f/6.3 Series 1 Multi-Coated Mirror Lens for Nikon D40, D60, D90, D300, D300s, D3, D3x, D7000, D3000, D3100, D3s & D5000 Digital SLR Cameras Feature


  • KIT INCLUDES 3 PRODUCTS -- All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • <#1> Vivitar 500mm f/6.3 Series 1 Multi-Coated Mirror Lens PLUS +
  • <#2> Nikon AF T-mount Adapter +
  • <#3> Rear Lens Cap for Nikon AF Lenses

Vivitar 500mm f/6.3 Series 1 Multi-Coated Mirror Lens for Nikon D40, D60, D90, D300, D300s, D3, D3x, D7000, D3000, D3100, D3s & D5000 Digital SLR Cameras Overview


Kit includes:
♦ 1) Vivitar 500mm f/6.3 Series 1 Multi-Coated Mirror Lens
♦ 2) Nikon AF T-mount Adapter
♦ 3) Rear Lens Cap for Nikon AF Lenses

The Vivitar 500mm f/6.3 Series 1 Mirror Lens is a high-quality, computer designed product that incorporates the merits of both reflex optics and refraction optics. This combination provides the user with an extremely sharp picture with minimum color abberation.

While this lens is designed for high definition telephoto photography, it is also one of the most affordable precision optics available, which allows anyone on any budget to enjoy shooting crisp, clear telephoto pictures.

This lens includes a T-mount adapter specifically designed for Nikon AF mount SLR and Digital SLR Cameras, as well as a rear lens cap.

Available at Amazon

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Saturday, October 29, 2011

Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens (Worldwide) + Deluxe Accessory Kit

Review Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens (Worldwide) + Deluxe Accessory Kit


Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens (Worldwide) + Deluxe Accessory Kit Feature


  • Nikon 70-300mm f/4-5.6G AF Nikkon SLR Camera Lens - Worldwide
  • (factory-fresh, brand new, and carries a 1-year warranty via Ace Photo Digital. Includes manufacturer's supplied accessories)
  • 3 pc Filter Kit: Includes: UV filter, Polarizing filter, Fluorescent correction filter & Filter case
  • Elastic Front Lens Cap Leash (cap keeper) - Advanced Micro Fiber Cleaning Cloth

Nikon 70-300mm f/4-5.6G AF Nikkor SLR Camera Lens (Worldwide) + Deluxe Accessory Kit Overview


The AF Zoom-Nikkor 70-300mm f/4-5.6G is a portable telephoto zoom lens featuring Nikon quality optics, high-performance Nikon Super Integrated Coating and a rounded diaphragm opening, which makes out-of-focus elements appear more natural. This lens is the first in a new line of G-type Nikkor lenses, which are designed with no aperture rings. With the G-type Nikkor lens, the aperture should be selected on the camera body for aperture-priority auto and manual exposure mode. The lens is fully compatible with the F5, F100, F80, F65, F60, F50, F-401-series, PRONEA 600i, PRONEA S and some of Digital SLR D Series cameras. For the F4, F90-series, F70, F-801-series and F-601M cameras, only programmed auto or shutter-priority auto exposure mode can be used. The G-type Nikkor lens offers easier, virtually mistake-free operation since the aperture does not need to be set to minimum. The AF Zoom-Nikkor 70-300mm f/4-5.6G lens represents a new level of operational ease for Nikon users - even first-time SLR users. (Note: All Functions Supported Except Autofocus by D40,D40X, D60, D3000, D3100, D5000 & D5100 cameras).
++PLUS++ Deluxe Accesory Kit: 3 pc Filter Kit: Includes: UV filter, Polarizing filter, Fluorescent correction filter & Filter case - Protective Lens Pouch with Drawstring Closure - Lens Pen Cleaning Tool - Professional Dust Blower - Elastic Front Lens Cap Leash (cap keeper) - Advanced Micro Fiber Cleaning Cloth.

Available at Amazon

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Friday, October 28, 2011

Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF Macro Zoom Lens for Canon DSLR Cameras

Review Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF Macro Zoom Lens for Canon DSLR Cameras


Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF Macro Zoom Lens for Canon DSLR Cameras Feature


  • Extremely fast Piezo drive focusing motor
  • Vibration Compensation for ultra sharp images
  • Compact design
  • long zoom range for versatility
  • Designed for APS-C sized sensors

Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF Macro Zoom Lens for Canon DSLR Cameras Overview


The acclaimed Tamron 18-270mm VC all-in-one zoom for APS-C format DSLRs has reached an astonishing new level of compactness, performance, and speed with the addition of PZD (Piezo Drive), an innovative ultrasonic autofocus motor based on an advanced piezoelectric design. The result is a lens that's considerably lighter, noticeably shorter with a much slimmer profile than any previous lens in its class, and provides faster, quieter auto-focusing.

Available at Amazon

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Thursday, October 27, 2011

2x Digital Telephoto Professional Series Lens + DB ROTH Micro Fiber Cloth For The Fujifilm FinePix S5 PRO, IS PRO Digital Cameras Which Have The Nikon 28-80mm Lens

Review 2x Digital Telephoto Professional Series Lens + DB ROTH Micro Fiber Cloth For The Fujifilm FinePix S5 PRO, IS PRO Digital Cameras Which Have The Nikon 28-80mm Lens


2x Digital Telephoto Professional Series Lens + DB ROTH Micro Fiber Cloth For The Fujifilm FinePix S5 PRO, IS PRO Digital Cameras Which Have The Nikon 28-80mm Lens Feature


  • INCLUDES 2 PRODUCTS -- with all Manufacturer-supplied Accessories and Full USA Warranties:
  • <#1> 2x Digital Telephoto Professional Series Lens
  • <#2> DB ROTH Micro Fiber Cleaning Cloth

2x Digital Telephoto Professional Series Lens + DB ROTH Micro Fiber Cloth For The Fujifilm FinePix S5 PRO, IS PRO Digital Cameras Which Have The Nikon 28-80mm Lens Overview




2x Digital Telephoto Professional Series Lens - When your digital camera can't get you quite close enough to the action, this 2x telephoto accessory lens will bring the action twice as close to you. It's perfect for all your long-distance photos of sporting events; candid portrait shots, as well as nature and wildlife photography. This is the ideal lens attachment for sports fans, bird watchers, animal lovers, and parents whose kids play sports. In just seconds, you'll have this attachment on your lens erasing half the distance between the world and your camera. Best of all, these specially designed high quality digital accessory lenses are 100% compatible and fully automatic with your camera's autofocus and auto-exposure systems, so they're easy to use.

DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges from your camera and lenses with this handy microfiber cleaning cloth.
PLEASE NOTE: Some cameras require a adapter tube to fit the lenes

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Wednesday, October 26, 2011

Wide-Angle Kit for NIKON D40,D60,D90,D3000,D5000 dSLR and 18-55mm Lens

Review Wide-Angle Kit for NIKON D40,D60,D90,D3000,D5000 dSLR and 18-55mm Lens


Wide-Angle Kit for NIKON D40,D60,D90,D3000,D5000 dSLR and 18-55mm Lens Feature


  • Savings Package with Wide-Angle Lens, Filters, Case & BONUS Gift Card
  • Durable, Large Carrying Case with Wide, Padded Shoulder Strap comes with an iPOD, MP3 compartment in top
  • Special MACRO Extender allows Extreme Close-Up photography
  • 3-Piece Filter Kit provides you with the most needed filters.

Wide-Angle Kit for NIKON D40,D60,D90,D3000,D5000 dSLR and 18-55mm Lens Overview


For your Nikon dSLR and the 18-55mm Lens
Pro Series 0.45x Wide-Angle Converter with Macro Capability, Pro SLR Carrying Case, and a 3-Piece Filter Kit
AND for a Limited Time, we are including a FREE Photo Gift Card.

Increase your Wide-Angle Focal capability with this versatile 0.45x Conversion Lens. 52mm rear threads allow you screw it directly onto the standard Nikon 18-55mm f/3.5-5.6 G ED lens (also the 18-55mm VR and any other lens with a 52mm filter diameter).

The Screw-On 0.45x Lens nearly DOUBLES your wide-Angle; so, with your lens set at 18mm, you have just turned your lens into a virtual Wide-Angle Fisheye! equal to about a 9mm Lens on a conventional film SLR.

Lens includes a MACRO Extender. Use by unscrewing the front lens assembly and using only the section labeled MACRO with your existing lens.

3-Piece Filter Kit: You get a UV (ultraviolet) Haze limiting filter -keep it on your lens at all times for protection. You get a Fluorescent (FL-D) filter that corrects the "green" cast under fluorescent lamps. And you get a Circular Polarizer (CPL) filter to remove unwanted reflections and enhance sky, contrast, and colors. A CPL is a must for Outdoor Photography and NECESSARY for AutoFocus Cameras.

Stylish and Durable PRO SLR Carrying Case that will fit your Nikon dSLR with small to medium Zoom attached. Inside Dimensions are approximately 6" wide at top narrowing to 4" at bottom, 4" deep, and 7" high.
Case that can be carried by top handle, shoulder strap, or belt loop. Main compartment has a double-zippered top and 3 adjustable velcro separators. The lid contains a zippered mesh pocket. There is also a zippered front pocket with internal sleeve and zippered mesh pocket inside for accessories.
Case has a unique iPOD, MP3, Cell Phone compartment with cable access through the lid.

Available at Amazon

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Tuesday, October 25, 2011

Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera

Review Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera


Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera Feature


  • For use with smaller chip APS-c or 4/3 digital cameras only
  • Offers Sigma's OS System (Optical Stabilization) allowing handheld photography even in low-light situation
  • HSM (Hyper-Sonic Motor) ensures a quiet & high-speed auto focus
  • FLD glass elements with performance equal to fluorite glass for compensate for color aberration
  • Ultra compact with overall length of just 3.6"

Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera Overview


Sigma's new 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes. The OS, Sigma's anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise bepossible. The OS feature allows Sony and Pentax users the option of viewing a stabilized image in the viewfinder, a feature offered only by Sigma. HSM provides fast and quiet AF. Sigma's own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even atthe maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5. When you need to stand ready for any photo opportunity you need a fast aperture so you can shoot in low existing light or at maximum range with a flash. This Sigma lens is perfect. With its compact size and light weight, it's a necessary addition to your camera bag Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras. This item comes with the lens itself, front and back caps, a lens hood and a case. Also this item has the retail Package.

Available at Amazon

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Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Sony Mount Digital SLR Cameras

Review Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Sony Mount Digital SLR Cameras


Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Sony Mount Digital SLR Cameras Feature


  • * Tested on Sigma * Lens Construction: 17 elements 13 groups * Angle of View: 17.4 degrees to 20.2 d

Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Sony Mount Digital SLR Cameras Overview


Sigma Corporation adds unique, anti-shake technology to award-winning 17-70mm lens Sigma announced the new Sigma 17-70mm F2.8-4 DC MACRO OS HSM. This large aperture standard zoom lens offers an aperture of F2.8 at the 17mm focal length and is ideal for many situations such as portraits, sports, macro and general photography The OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. For Sony mount, the built-in OS function of this lens can be used even if the camera body is equipped with an anti-shake function. As the compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. The maximum aperture of F2.8 makes this lens ideal for hand held photography as well as producing an attractive background blur and high speed auto focus. This lens has a minimum focusing distance of 22cm (8.7..) throughout the entire zoom range and maximum magnification ratio of 1:2.7, making it ideal for close-up photography. It is possible to focus as close as approximately 4.7cm from the tip of the lens to the subject making this lens particularly useful for close-up photography. Three aspherical lenses and one ELD (Extraordinary Low Dispersion) glass element provide excellent correction for all types of aberrations. High image quality is assured throughout the entire zoom

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Monday, October 24, 2011

Vivitar Series 1 Wide Angle Fisheye 0.21x Conversion Lens, 58mm Mount Thread

Review Vivitar Series 1 Wide Angle Fisheye 0.21x Conversion Lens, 58mm Mount Thread


Vivitar Series 1 Wide Angle Fisheye 0.21x Conversion Lens, 58mm Mount Thread Feature


  • Vivitar 58 mm Fisheye Lens
  • Vivitar 0.21x Fisheye Lens
  • Vivitar High Definition Digital Lens
  • Vivitar Extreme Speed Auto Focus Lens
  • MicroFiber RytherCamera Cleaning Cloth

Vivitar Series 1 Wide Angle Fisheye 0.21x Conversion Lens, 58mm Mount Thread Overview


The Vivitar .21x Wide Angle Fisheye Coversion Lens is specially designed for high quality digital cameras and camcorders. The lens will effectively increase your camera's versatility, without loss of original picture quality.

Available at Amazon

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Kenko 1.4X Teleplus - 4 Element DGX Auto Focus for Nikon AF Digital SLRs

Review Kenko 1.4X Teleplus - 4 Element DGX Auto Focus for Nikon AF Digital SLRs


Kenko 1.4X Teleplus - 4 Element DGX Auto Focus for Nikon AF Digital SLRs Feature


  • Magnification: 1.4x
  • Depth of field: 1/1 of prime lens , Minimum focus distance: Same as prime lens
  • Exposure Magnification: Approx 2 times (equivalent to 1 diaphragm)
  • Barrel length: 25mm
  • Lens coating: Digital Multi Coating

Kenko 1.4X Teleplus - 4 Element DGX Auto Focus for Nikon AF Digital SLRs Overview


Kenko AF 1.4x Super High Quality Teleplus converter also has genuine Gated Array IC and is compact for light weight and easy handling. Full AF is capable with lenses having a maximum aperture of F/4.5 or brighter. (Manual focusing will be required with lenses of smaller aperture.)

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Sunday, October 23, 2011

Rokinon 650-1300mm f/8-16 Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) for Nikon D40, D60, D3000, D3100, D5000, D5100, D7000, D300s, D3 & D3s Digital SLR Cameras

Review Rokinon 650-1300mm f/8-16 Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) for Nikon D40, D60, D3000, D3100, D5000, D5100, D7000, D300s, D3 & D3s Digital SLR Cameras


Rokinon 650-1300mm f/8-16 Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) for Nikon D40, D60, D3000, D3100, D5000, D5100, D7000, D300s, D3 & D3s Digital SLR Cameras Feature


  • KIT INCLUDES 5 PRODUCTS -- All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • <#1> Rokinon 650-1300mm Telephoto Zoom Lens (Black) PLUS + <#2> 2x Teleconverter +
  • <#3> Nikon AF T-Mount Adapter +
  • <#4> Rear Lens Cap for Nikon AF Lenses +
  • <#5> Precision Design Deluxe 6 Piece Lens & Digital SLR Camera Cleaning Kit

Rokinon 650-1300mm f/8-16 Telephoto Zoom Lens with 2x Teleconverter (=650-2600mm) for Nikon D40, D60, D3000, D3100, D5000, D5100, D7000, D300s, D3 & D3s Digital SLR Cameras Overview


Kit includes:
♦ 1) Rokinon 650-1300mm Telephoto Zoom Lens (Black)
♦ 2) 2x Teleconverter
♦ 3) Nikon AF T-Mount Adapter
♦ 4) Rear Lens Cap for Nikon AF Lenses
♦ 5) Precision Design Deluxe 6 Piece Lens & Digital SLR Camera Cleaning Kit

The Rokinon 650-1300mm Telephoto Zoom Lens is the perfect option for bringing distant subjects up close, with a remarkable telephoto range at an incredibly affordable price. In addition to the impressive zoom range, this lens features multi-coated elements, a rotating, locking tripod mount and a built-in lens hood. Also features computer-designed "IF" (Internal Focusing) optics for more compact, lightweight construction. Plus, it includes a soft nylon lens case with an adjustable shoulder strap.

While this lens is designed for high definition telephoto photography, it is also one of the most affordable precision optics available, which allows anyone on any budget to enjoy shooting crisp, clear telephoto pictures.

This kit includes a 2x teleconverter that easily attaches to the included lens and doubles its maximum focal length.

This lens includes a T-mount adapter specifically designed for Nikon AF mount SLR and Digital SLR Cameras, as well as a rear lens cap.

This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.

Available at Amazon

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Sigma APO 70-200mm f/2.8 EX DG HSM Lens for Canon Digital SLR Cameras

Review Sigma APO 70-200mm f/2.8 EX DG HSM Lens for Canon Digital SLR Cameras


Sigma APO 70-200mm f/2.8 EX DG HSM Lens for Canon Digital SLR Cameras Feature


  • Large Aperture Zoon
  • Macro. Fast Auto-Focus
  • Super Sharp

Sigma APO 70-200mm f/2.8 EX DG HSM Lens for Canon Digital SLR Cameras Overview


One of the favorite lenses among news photographers, a 70-200mm f/2.8 or 80-200mm f/2.8 zoom also appeals to many serious photo enthusiasts. Although large and heavy, lenses of this type offer several benefits. Their very wide maximum aperture allows for faster shutter speeds than the more typical f/4.5-5.6 zooms, great for low-light or action photography at lower ISOs (film or digital) for images with less grain or noise.

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Saturday, October 22, 2011

Bower SLY500PN High-Power 500mm f/8 Telephoto Lens for Nikon

Review Bower SLY500PN High-Power 500mm f/8 Telephoto Lens for Nikon


Bower SLY500PN High-Power 500mm f/8 Telephoto Lens for Nikon Feature


  • High-power 500mm telephoto focal length
  • Includes T-mount adapter for digital and 35mm Nikon SLR cameras
  • High index, low-dispersion multi-coated optical glass to reduce flare
  • Minimum focusing distance of 33 feet
  • Filter thread: 67mm

Bower SLY500PN High-Power 500mm f/8 Telephoto Lens for Nikon Overview


The high-power 500mm telephoto lens for Nikon is a manual fixed focus multi-coated T-mount lens that yields images with impressive peak contrast and well-controlled flare. It has a minimum focus distance of 33 feet and a 5° angle of view. It has a 67mm thread and includes a tripod mount, black lens pouch and a T-mount adapter for Nikon SLR cameras. For best results, use with monopod, tripod or chest supports to alleviate shake.

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Sigma 70-300mm F4-5.6 DL Macro Super Lens for Minolta-AF Camera

Review Sigma 70-300mm F4-5.6 DL Macro Super Lens for Minolta-AF Camera


Sigma 70-300mm F4-5.6 DL Macro Super Lens for Minolta-AF Camera Feature


  • Dedicated to Minolta AF SLR cameras
  • Ultra-telephoto, telephoto, and macro photography all in one lens
  • High magnification of 1:2 (one half life-size) for macro photography
  • Lens constructed of an ecological, lead- and arsenic-free glass
  • Lightweight 70-300mm zoom lens

Sigma 70-300mm F4-5.6 DL Macro Super Lens for Minolta-AF Camera Overview


Sigma's 70-300mm F4-5.6 DL MACRO SUPER is one of several new tele zoom lenses. It is a compact Tele-Macro Zoom lens, capable of focusing down to 1: 2 (half life-size) reproduction ratio at 300mm focal length (an optional accessory 58mm achromatic close-up lens allows even closer focusing and reproduction ratios up to 1: 1 or life-size), with superb optical quality. A detachable bayonet hood is provided. The lens materials used in this new product are lead and arsenic free ecological glass, including one Special Low Dispersion (SLD) glass element.

Available at Amazon

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Tips on Creating Awesome Night Vision Digital SLR Photos

Today's digital SLR cameras offer the photographer full control of aperture, shutter speed and ISO settings enabling the capture of excellent usable images in low light that were not otherwise possible. However, in many situations such as photographing scenes at night with very little ambient light, or telephoto photography at night at a distance, even the best digital SLR cameras simply do not have sufficient sensitivity to capture adequate images. In these situations, night vision modules such as those described here are the ideal accessory. This article provides important guidelines for producing awesome night-time photos when using a night vision module-enabled digital SLR camera.

By adding a night vision module to a digital SLR camera, night turns into day. Follow these guidelines to assure the best possible image quality.

Nikon Lens Nikon Digital Slr

Because of the increased availability of high performance digital SLR cameras, capturing excellent photographs at night is now easier than ever. With full control of aperture and shutter speed settings as well as electronic gain (ISO), the photographer has the opportunity to capture images in low light that were not otherwise possible.

Tips on Creating Awesome Night Vision Digital SLR Photos

However, in many low-light and night-time situations, digital SLR cameras simply do not have sufficient sensitivity to capture adequate images. For one thing, with the ever-decreasing size of pixels, it's remarkable that light sensitivity has not substantially worsened with each new generation of camera (since light sensitivity is directly proportional to detector pixel area). But, fortunately, there's been a lot of camera development on noise reduction so sensitivity has kept pace if not improved slightly with the decreasing pixel area. Regardless of these changes, it remains that a sufficiently long exposure time cannot be used because either there is movement in the scene or the camera is moving (by being handheld or on a vehicle in motion) so long exposure times would result in blurring. For situations such as photographing scenes at night with very little ambient light, or telephoto photography at night at a distance, even the best digital SLR camera will be unable to produce adequate photographs without blur.

In these situations, a night vision module is the ideal accessory. This device fits between the SLR objective lens and the camera body and amplifies the light that is captured by the objective lens, projecting an amplified (but entirely green) image onto the digital camera's image sensor. The result is up to 10 F-stops of improvement, a dramatic change enabling many applications that are otherwise impossible to photograph. The module transforms moonlit or starlit scenes into bright, high resolution images that are easily photographed.

HOW IT WORKS

AstroScope transforms dark scenes into bright, high resolution images that can be easily photographed without the need for additional lighting or longer exposure times. The objective lens focuses the minute amounts of available light onto the faceplate of its internal central intensification unit that converts the photons to electrons. The internal electron flux is then amplified and the electrons are accelerated so that when they impinge on the output phosphor, a bright green image is created. The image is then focused onto the internal detector of the digital SLR camera.

Learn more at: hownightvisionworks.com

The following are some guidelines to help assure that the Night Vision digital photos are the best possible.

Exposure Mode

Select Manual exposure mode ("M"). Not "Automatic", "Aperture Priority", "Shutter Priority", "Program" or any of the other special modes. In low light, you'll want to manually open the lens iris to permit the most light to fall on the night vision module's sensitive photocathode.

Shutter Speed Setting

You'll want to set the camera's shutter speed so that it is just long enough that there will be no blur due to motion, usually about 1/30th second. Longer exposure times will usually result in blur (for handheld applications). Shorter exposure times may provide some improvement if excessive motion is a concern but could unnecessarily darken the image due to the reduction of light being acquired from the night vision module's image intensifier. While the output brightness from an image intensifier increases with increasing scene illumination, at higher scene illuminations, the image intensifier's output brightness reaches a maximum value and remains constant as shown in the accompanying chart. (The limitation on the output brightness protects troops wearing night vision goggles from being blinded when viewing a bright light). Since this maximum brightness is not very bright (about 2 foot lumens), it is unlikely that the digital camera's sensor will be saturated as a result. So, faster shutter speeds are not necessary as a method to limit the light accumulation.

ISO Setting

While back in the days of photographic film, ISO was a characteristic that described film sensitivity to light, today, ISO is related to electronic gain of the digital camera's sensor. Since increasing the gain will amplify the low light level images, even with a night vision module, lower light scenes will become visible. However, there are disadvantages to setting the ISO too high. As with all electronic circuits at high gain, image noise can degrade image quality. As such, set the camera's ISO to a value as high as you can while still acceptable image noise levels. Usually, the minimum value would be 800, but some cameras deliver perfectly usable images at ISO 1600, 3200 or even 6400 (on some recent Nikons).

Manual Focus

When using a night vision module, select Manual Focus mode (usually a small lever switch on or near the objective lens mount). Manual focus gives you greater control over how the focus appears. Since night vision modules are generally grainy, the image grain can confuse the SLR camera's focus sensors. Also, realize that these focus sensors will be staring at the output of the night vision module so the grainy artifacts will not be affected by the focus position of the objective lens (which is located on the front of the night vision module).

Use Stabilized Lenses

A camera's image stabilization feature permits the photographer to use slower shutter speeds without resulting in blur due to camera shake. Note that there are two primary techniques for image stabilization: optical stabilization (where a small element inside the lens moves in order to stabilize the image projected on the camera's detector) and digital stabilization (which take advantage of extra rows and columns on the perimeter of the detector, shift the image an appropriate amount to stabilize certain types of motion).

Normally, the optical image stabilizers, though more expensive, are preferable since they better remove the blur component of the motion. When using a night vision module, the main disadvantage of the digital stabilization is that the image is blurred on the input of the night vision module resulting in some blur on the intensified output image. So, optical stabilization is preferred.

Lens Aperture

The basics still apply for night vision intensified low-light photography. In low-light situations, you'll want to select the fastest objective lens set to the lowest F-stop setting. (The lowest F-stop value indicates that the iris is opened up fully and will gather the most ambient light possible for that lens).

Nikon and Canon offer fast stabilized telephoto objective lenses that are ideal for night vision applications.

Infrared Illuminator

Sometimes, even with a night vision module, it's simply too dark to obtain a good quality photograph at night. A dark and cloudy night with no ambient light is one example. Since the night vision module is merely a light amplifier, if there is no light from the stars and sky or from city lights reflecting from clouds, the night vision module will not be effective. In order to photograph without the use of a flash or visible light source, a near-infrared light source can be used that emits light that can be seen by the night vision module but is invisible to the naked eye. Unlike some digital camera sensors which have some near-infrared response, night vision modules are most sensitive to the near infrared wavelength range and consequently these light sources can significantly enhance the night-time image and render night photography possible despite the lack of sufficient visible illumination.

Invisible near infrared illumination can be used to brighten scenes that are otherwise too dark.

Image Cropping

Because image intensifiers have automatic electronic gain features to maintain a constant light output, the presence of bright lights in the field-of-view (such as headlights or street lamps) may have the affect of decreasing the unit's overall light gain. This is similar to back-illuminated scenes for un-intensified photography, but even more important because of the significant impact on light gain that could result. This affect may cause the other regions in the image to darken to an unacceptable level. If possible, do your best to exclude non-important bright lights from the field of view.

Turn Off All Camera Visible/Audible Functions

For covert night vision photography, don't forget to disable all camera lighting and sound functions. (For example: disable flash, any red eye reduction mechanisms, auto focus assist, LCD preview, and all audible signals).

Use a Tripod

When handheld use is not required, select an exposure time long enough that the movement of objects under observation does not result in image blur. As with un-intensified photography, long exposures require that you hold your camera perfectly still to avoid blurring. A tripod is a perfect accessory. If one is not available, try bracing your camera against a stationary object like a tree or wall. In order to avoid the blur that results from finger pressing the camera shutter release (which can cause enough movement to blur a photo), use the camera's timer.

Tips on Creating Awesome Night Vision Digital SLR Photos


Friday, October 21, 2011

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